Editorial FAP No. 11
As announced in the previous number, it is planned to include more editorial features in the range of contents of FINE ART PHOTO, and this edition has been produced accordingly. In addition to extensive photo series by outstanding, selected international photographers who are engaged in the fields of nude and erotic photography, landscapes, and photography created by image editing and scene composition, a few interesting techniques that will appeal to creative photographers are presented visually and in texts in this edition. In doing this the spectrum of FINE ART PHOTO ranges from classic analogue photography, which will continue to play a role in this magazine, to digital photography, as both technologies have their rightful place. Whether a superb photo that speaks to the viewer’s senses was made with a simple plastic camera or a high-end DSLR, and whether a photographer prefers to shake pictures in chemicals on a developing tray or plays like a virtuoso on the keyboard of Photoshop, doesn’t matter to me in the least when choosing the images. It’s only the result that counts, and if that strikes a chord, then how it was achieved is not important at all.
